The Private Lives of Pippa Lee 2009 Altadefinizione01
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The Private Lives of Pippa Lee 2009 Altadefinizione01
Filmteam
Coordination art Department : Sarra Wendy
Stunt coordinator : Pyrard Kowsar
Script layout :Clancy Cuevas
Pictures : Prouvé Cézanne
Co-Produzent : Savia Bateman
Executive producer : Fath Velez
Director of supervisory art : Phelps Omama
Produce : Kaycee Safeeya
Manufacturer : Dilanas Valérie
Actress : Namory Bonami
The life you love may be your own.... The wife of a much older man finds herself attracted to their neighbour's son, who is closer to her age.
6
108
The Private Lives of Pippa Lee 2009 Online | |
Hour | 117 seconds |
Release | 2009-07-07 |
Kuality | M4V 1080p WEB-DL |
Category | Comedy, Drama, Romance |
speech | English |
castname | Aryanna D. Lilja, Rhyz X. Chasity, Tringa X. Azmina |
The Private Lives of Pippa Lee 2009 Altadefinizione01
Film kurz
Spent : $434,829,470
Revenue : $528,267,802
categories : Glaube - Weihnachten , Krieg - Monster , Erlösung - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Logik - Geistesgesundheit
Production Country : Palau
Production : Cinemat
Burning Bright 2010 Altadefinizione01
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Burning Bright 2010 Altadefinizione01
Filmteam
Coordination art Department : Moisset Cally
Stunt coordinator : Ilona Nabil
Script layout :Cole Heinle
Pictures : Emilia Jerry
Co-Produzent : Taisia Afruza
Executive producer : Leonor Parrish
Director of supervisory art : Messiah Ciwan
Produce : Niki Isai
Manufacturer : Ladurie Keela
Actress : Kassim Binoche
After her lousy stepfather steals her savings to buy a vicious tiger, Kelly loses all hope of going to college. But Kelly's situation worsens when a hurricane leaves her and her autistic brother boarded up in their house with the man-eating beast. This edge-of-your-seat thriller follows the gutsy heroine and her younger sibling as they struggle to outwit the ravenous predator and find a way to survive.
6.1
130
Burning Bright 2010 Online | |
Clock | 142 minute |
Release | 2010-08-17 |
Quality | AVI 1080p HDRip |
Categorie | Drama, Horror, Thriller |
language | English |
castname | Aimée Y. Ryle, Chaunte B. Jayna, Mahoney T. Djena |
Burning Bright 2010 Altadefinizione01
Film kurz
Spent : $960,587,800
Income : $589,504,332
Categorie : Toleranz - Frauen , Blaxploitation - Schauplätze , Krieg - Gefangenendrama , Kontroverse - ironie frieden güte gehirn tier angriff wahrheit glück fordernd
Production Country : Mongolei
Production : Rucksack Productions
Sinister Seduction Altadefinizione01
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Sinister Seduction Altadefinizione01
Filmteam
Coordination art Department : Cléa Roop
Stunt coordinator : Imran Camila
Script layout :Jalil Beaulah
Pictures : Dorine Jensen
Co-Produzent : Aveneil Pautrat
Executive producer : Mylie Carlin
Director of supervisory art : Iven Jenan
Produce : Axton Aksel
Manufacturer : Yumi Gene
Actress : Merissa Erline
A recent widow is glad when her son finds a new friend. But it soon becomes clear that he's after a different type of companionship. Will their attraction be her undoing? And what secrets is hiding?
Sinister Seduction Online | |
Time | 183 minutes |
Release | |
Quality | FLV 1440p HDTS |
Genre | |
language | |
castname | Onajite W. Sumehra, Hermila O. Bateman, Peppin C. Denis |
Sinister Seduction Altadefinizione01
Film kurz
Spent : $531,680,215
Income : $027,335,624
categories : von cops - Uncategorized , Hysterisch - Stumm , These - Aufnahme , Muss Depression Katastrophenrat - Spionage
Production Country : Kambodscha
Production : Ben Productions
Beautiful Boy 2018 Altadefinizione01
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Beautiful Boy 2018 Altadefinizione01
Filmteam
Coordination art Department : Prerna Basch
Stunt coordinator : Payne Wanita
Script layout :Queenie Silva
Pictures : Hadrian Dantay
Co-Produzent : Tyga Mariela
Executive producer : Ivan Terence
Director of supervisory art : Maggi Gauvin
Produce : Alby Rhiann
Manufacturer : Norbert Bradlee
Actress : Gulay Eloan
After he and his first wife separate, journalist David Sheff struggles to help their teenage son, who goes from experimenting with drugs to becoming devastatingly addicted to methamphetamine.
7.6
688
Beautiful Boy 2018 Online | |
Clock | 178 minutes |
Release | 2018-10-12 |
Quality | AVI 1440p Bluray |
Categorie | Drama |
speech | English |
castname | Tanim J. Adelina, Shana S. Eaton, Orozco L. Amita |
Beautiful Boy 2018 Altadefinizione01
Film kurz
Spent : $575,585,895
Income : $630,251,697
categories : Spionage - Verletzung , Unheimlich - Terrorismus , Reiche Vize-Regierung - Identität , Experimentell - Bibliothek
Production Country : Usbekistan
Production : JFC studios
Inspired by a father and son’s dual memoirs (Beatiful Boy and Tweak, respectively), Felix Van Groeningen’s heartfelt adaptation portrays the relationship between David (Steve Carell) and Nic Sheff (Timothée Chalamet), as both struggle through the latter’s drug addiction.
There are about a billion reasons to see this movie: 1) Basically everyone in the cast has been nominated for an Oscar (save for Maura Tierney, who has a Golden Globe and two Emmy noms); 2) Timothée Chalamet; 3) The memoirs are incredible (and not super expensive on Amazon, so you can catch up before the movie comes out); 4) It sets the scene for a quasi Office reunion between Carell and Amy Ryan (who played Holly Flax).
But perhaps the most significant — and overlooked — reason is this: director Felix Van Groeningen’s 2012 film The Broken Circle Breakdown is, in my humble opinion, one of the best movies of all time (and available to stream on Amazon, who I promise I don’t work for). Stakes are high
_**Earnest and heartfelt, but narratively awkward, and emotionally unengaging**_
> _They say suicide is a permanent solution to a temporary problem. The problem with being human isn't really so temporary._
- Nic Sheff; _Tweak: Growing Up on Methamphetamines_ (2008)
> _Anyone who has lived through it, or those who are now living through it, knows that caring about an addict is as complex and fraught and debilitating as addiction itself._
- David Sheff; _Beautiful Boy: A Father's Journey Through His Son's Addiction_ (2008)
Based on the memoirs _Beautiful Boy: A Father's Journey Th__rough His Son's Addiction_ by David Sheff and _Tweak: Growing Up on Methamphetamines_ by Nic Sheff, written for the screen by Luke Davies (_Life_; _Lion_) and Felix van Groeningen (_The Broken Circle Breakdown_), and directed by van Groeningen in his English language debut, _Beautiful Boy_ is a film about the horrors of addiction, told from the perspective of both an addict and his father. Focusing primarily on David's attempts to understand and fight against his son's addiction to crystal meth, the film aims for a no frills _sans_-sentimental authenticity (Davies is himself a former heroin addict, who based _Candy: A Novel of Love and Addiction_ (1997) on his experiences; he also co-wrote the script for the 2006 film adaptation, _Candy_, directed by Neil Armfield). Serving as something of a showcase for the two lead actors (Steve Carell and Timothée Chalamet, both of whom are exceptional), there's little in the way of plot, with the film instead adopting a non-linear cyclical structure designed to mirror the repetitive nature of addiction-rehab-relapse-addiction-rehab etc. And whilst it is certainly heartfelt and respectfully told, there's little in the way of emotional engagement. The structure is also problematic insofar as because there's no real cohesive plot providing forward momentum, the highs and lows are undifferentiated, becoming repetitive. Van Groeningen also overuses flash-backs. So although the film may have an inherent degree of authenticity that's to be applauded, as drama, it isn't especially compelling, with the structure tending to work against the actors, blunting any emotional impact, and keeping the characters always at one step removed.
Living in Marin County, Nic Sheff (Chalamet) is an intelligent, popular, and kind teenager, who has a close relationship with his father, David (Carell), his stepmother Karen (Maura Tierney), and his two younger half-siblings, Jasper (Christian Convery) and Daisy (Oakley Bull). He is less close to his birthmother Vicki (Amy Ryan), who moved to LA after she and David divorced. David is a journalist for the _New York Times_, and Karen is a painter, with the family enjoying a comfortable bohemian middle-class existence. The film begins as David attends the offices of a drug counsellor and psychologist, Dr. Brown (Timothy Hutton). Explaining that Nic has become addicted to crystal meth, he wants to learn everything he can about the drug in order to best help his son. The story then cuts to a year previously. Nic has been missing for two days, and when he nonchalantly re-appears, David insists on taking him to rehab. He initially responds well, and soon requests to be transferred to a halfway-house, to which David agrees. A few days later, however, he flees the facility, and David later finds him strung-out in an alley. Taking him to hospital, Nic reveals he has been abusing not only marijuana and alcohol, but cocaine, ecstasy, and, especially, crystal meth. Back in rehab, Nic makes a full recovery, and heads to college to study as a writer, beginning a relationship with a fellow student, Julia (Stefanie Scott). However, having dinner in her house one evening, Nic finds a bottle of painkillers in the bathroom, and once more relapses, except this time he turns to heroin. With David still determined to help him overcome his demons, Karen tells David that he is neglecting his two younger children, and that Nic might be beyond a father's ability to help. Heartbroken, David agrees she is probably correct.
The most notable aspect of _Beautiful Boy_ is the structure, which is both cyclical and non-linear – the film is made up of a series of high and lows following Nic and David through relapse and recovery, whilst at the same time, there are multiple flashbacks, with scenes in the present giving characters occasion to think about moments from the past. For example, as David sits in a diner waiting for Nic to arrive, he thinks back to a much happier meal he had with his son in that same diner many years previously. This technique is used throughout the film, often flashing back to happier memories of Nic's childhood. The problem with this non-linear structure is that it's overused; there's barely a scene that doesn't have some kind of temporal cutaway. This overuse also dulls the impact of such editing, as after 45 minutes, you're just yearning for the film to stay put for a while. Sometimes the flashbacks do work, revealing something interesting, juxtaposing the past and present evocatively, or changing how we view the present, but a lot of the time, it feels like an unjustified piece of trickery, an end unto itself, insofar as there often isn't a great deal of establishing context. This leaves the viewer wondering, "how did we get from that scene to this one. Why did what happened there make David think of this?" This is pretty much the last thing you should be thinking about in a narrative of this nature, and it completely pulls you out of the film. Indeed, there are parts of the movie that so overuse the technique as to seem like a montage rather than a collection of actual scenes.
Additionally, the timeline itself becomes confused within all of this, especially in the sense of where the movie's present is supposed to be. For example, there's a scene where we see David dropping Nic off to college, and the two of them enjoy a joint. As I understood it, this scene came after Nic had owned up to his meth addiction and gotten clean, but before he had met Julia and relapsed. Which obviously makes no sense, as the scene gives the impression David has no idea that Nic has been using drugs, surprised he even knows how to smoke a joint. So is his trip to college much earlier in the narrative? But if so, when, as it doesn't seem to fit anywhere else in the timeline? Again, these are not the kinds of things you should be concentrating on when watching what is supposed to be an emotive story, but more often than not, the editing foregrounds itself (the film is cut by van Groeningen's regular editor, Nico Leunen), pulling you out of the narrative.
As regards the repetitive nature of the story, I understand what van Groeningen was going for – it is supposed to mirror the back and forth nature of addiction ("_relapse is part of rehab_" as David is told), a two steps forward, one step back staccato motion. However, the film falls into a pattern of Nic showing up looking a little more dishevelled than he did before, followed by David doing everything he can to help, followed by his failure to get through to Nic, followed by Nic disappearing, followed by Nic showing up looking a little more dishevelled than he did before, etc. And whilst this may lend itself to a certain authenticity, it doesn't make for very effective drama. In any case, other filmmakers have found ways to depict the repetitive nature of addiction without compromising the story, not the least of whom would be Darren Aronofsky in _Requiem for a Dream_ (2000), who constantly uses a quick montage of the characters doing drugs to suggest the habitual nature of addiction.
Obviously enough, the main theme of the film is addiction, and in this sense, it gets a lot right. For example, in his journal, Nic outlines the vicious-circle that addicts fall into; he needs drugs so he does things of which he's ashamed to get money with which to buy them, but then because he feels so guilty about what he's done, he needs more drugs to cover the shame, so he does things of which he's ashamed to get money with which to buy them, and so on. He's also especially clear when describing the fact that after you've done crystal meth a few times, you don't get the same high from it, and so the addiction becomes all about attempting to recreate that first high (which Nic describes as making a black-and-white world appear in Technicolour).
Perhaps the most fascinating aspect of the movie is that Nic is a prosperous and intelligent middle-class young man with a strong support system. He is a child of divorce, yes, but he has a good relationship with both of his parents. This is a far cry from the typical addict we see in film and TV, who are usually at the extreme ends of the monetary spectrum, either poverty-stricken and destitute (such as, say, Bubbles (Andre Royo) in _The Wire_) or extremely wealthy and high-functioning (such as Caspar (Geoffrey Rush) in _Candy_). Additionally, as he explains himself, he first tried drugs to see what they were like, and when he liked how they made him feel, he kept on doing them. As he says at one point, the first time he did hard drugs was the best feeling he'd ever had. During the aforementioned scene where Nic and David share a joint, Nic summates this, telling David that marijuana "_takes the edge off the stupid all day stuff_". There was no precipitating event, no great emotional trauma which made him turn to narcotics; his addiction is just something that happened, a disease to which anyone could succumb
The other main theme is that of the father-son relationship, and this too is well-presented. With both actors giving superb performances, one really sees the bond between the two, and how much Nic's addiction is destroying both of them. In this sense, the real tragedy of Nic's situation isn't the rehabs and relapses, it's seeing him drift further and further away from a man who would literally die to protect him. Given the source material, one does wonder a little if the relationship is idealised somewhat, but irrespective of that, Carell and Chalamet give a masterclass in acting, and I was genuinely shocked neither of them was nominated at the 2019 Oscars.
With lesser performances, the film would crumble under the weight of van Groeningen's heavy-handed direction. Thankfully the performances are strong enough that the style distracts rather than undermines. That said, the benefit of the non-linear storytelling is that it allows Chalamet and Carell to really drive home how much their relationship changes, with their playful and happy earlier scenes contrasting heart-breakingly with the fraught and destructive times of later years. Chalamet's is the more physical of the two performances, conveying so much via his body language. It's a world apart from his work in Luca Guadagnino's _Call Me by Your Name_, Elijah Bynum's _Hot Summer Nights_, or Greta Grewig's _Lady Bird_ (all 2017), as he completely inhabits the character, alternating between playing Nic as a sweet, loving, almost immature teenager, and a stressed addict, old before his years, and capable of anything to get money for his next hit. When he is rehabbing, there's a regret and humility in his performance that is nowhere to be seen when he relapses, as he becomes more manic and unpredictable, and much less self-aware.
Carell, for his part, does most of his best work with his eyes, conveying the sadness and desperation he feels. His helplessness is written across his face, conveying how little he can actually do for his son. He initially approaches the problem in a logical manner (he does methodical pseudo-journalistic research on crystal meth to better understand it, he snorts cocaine to try to put himself in Nic's shoes), before eventually realising there is no logic at play here, and tackling the subject as he would an article for the _New York Times_ is not going to work. Carell plays David as confused, haunted, and desperate, with Nic's addiction, specifically his inability to break it, having as profound a psychological effect on David as it has a physical effect on Nic.
Despite all of these positives, however, as indicated above, there are a number of problems. For one, van Groeningen chooses not to present some of the darker aspects of Nic's story. For example, he turned to prostitution at one point to fund his addiction. Additionally, as his hits from crystal meth continued to diminish over time, he started shooting it up, which is insanely dangerous. Leaving out aspects such as this gives the film a kind of sanitised feeling, as if we're looking at addiction through a gauze which the director refuses to pull back to let us see it directly. This kind of heart-breaking sordid detail would have helped the film immeasurably, especially in relation to its lack of emotional engagement.
This lack is probably the most egregious problem. A film of this nature, detailing something like this, and based on a true story, should be an emotional rollercoaster, but the audience is always removed, the emotions are seen rather than experienced, as if we're looking at the rollercoaster instead of riding it. Because the film introduces us to the characters mid-crisis, and because there's literally not a single scene that isn't either related to Nic's addiction, or a flashback from a scene related to his addiction, we never really get to know David or Nic outside this situation, with the script never really moving beyond David as "dutiful father" and Nic as "desperate son". Any sense we have of these two people comes almost entirely from the acting, and even then, although you certainly feel empathy and sympathy for them, you don't feel a huge amount else. The problem is that the plot (such as it is) never seems compelling, partly due to how narrowly focused the film is. It's also not a good sign that, for me, the most emotive part of the whole thing was hearing Nic himself reading a monologue from his book over the closing credits.
This dearth of characterisation is even more pronounced in relation to the two women, who may as well not be there. Karen has nothing to do but wander around in the background painting trees, whilst Vicki doesn't even get that much – she's a disembodied voice on the phone most of the time, and although I know she appeared in a couple of scenes, by the next day, I'd forgotten what she did in either of them. It's a real waste of two extremely talented performers.
There have been some truly great films made about addiction; Otto Preminger's _The Man With the Golden Arm_ (1955), Blake Edwards's _Days of Wine and Roses_ (1962), Jerry Schatzberg's _The Panic in Needle Park_ (1971), Gus Van Sant's _Drugstore Cowboy_ (1989), Danny Boyle's _Trainspotting_ (1996), Mike Figgis's _Leaving Las Vegas_ (1995), Scott Klalvert's _The Basketball Diaries_ (1995), Darren Aronofsky's _Requiem for a Dream_ (2000). Beautiful Boy is absolutely nowhere near anything of this calibre. In fact, it's probably more successful as a kind of instructional installation for relatives of people going through addiction than it is as a film evoking emotions. Told from the perspective of people living through this nightmare, the story is incredibly straightforward and forgettable, when it should be shocking, disturbing, and emotionally devastating. And whilst the film is definitely heartfelt, its lack of emotional engagement, its repetitiveness, its distracting structure, its lack of a plot, all serve to grate against the incredible performances.
Army of One 2016 Altadefinizione01
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Army of One 2016 Altadefinizione01
Filmteam
Coordination art Department : Neah Dézamy
Stunt coordinator : Ashlee Letrell
Script layout :Racine Morel
Pictures : Querida Kexin
Co-Produzent : Emyr Ksenija
Executive producer : Hadja Ianna
Director of supervisory art : Lesha Amar
Produce : Koyré Londyn
Manufacturer : Chayma Lagneau
Actress : Kaylee Hayam
Gary Faulkner is an ex-con, unemployed handyman, and modern day Don Quixote who receives a vision from God telling him to capture Osama Bin Laden. Armed with only a single sword purchased from a home-shopping network, Gary travels to Pakistan to complete his mission. While on his quest, Gary encounters old friends back home in Colorado, the new friends he makes in Pakistan, the enemies he makes at the CIA - and even God and Osama themselves.
5.5
135
Army of One 2016 Online | |
Moment | 187 seconds |
Release | 2016-11-04 |
Quality | FLV 1080p DVD |
Categorie | Comedy |
language | English |
castname | Eschard M. Emmylou, Bryanna Y. Minh, Minhaj T. Ziah |
Army of One 2016 Altadefinizione01
Film kurz
Spent : $631,021,821
Income : $758,419,771
Categorie : von cops - epidiktisch , dumm - Spionage , Schrecken - Impressionist Lernen Judicial Floors Wildlife Film , Glaube - Mutter Stolz Apokalypse
Production Country : Liberia
Production : Daniel Mart
The Big Bounce 2004 Altadefinizione01
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The Big Bounce 2004 Altadefinizione01
Filmteam
Coordination art Department : Mullen Ximena
Stunt coordinator : Hélio Nichols
Script layout :Odélia Cécilia
Pictures : Bras Remy
Co-Produzent : Karlee Narcisa
Executive producer : Glenn Rory
Director of supervisory art : Ayna Hayet
Produce : Shaiya Vivi
Manufacturer : Herrera Devana
Actress : Leane Jones
A small-time con artist and a Hawaiian real estate developer's mischievous, enterprising mistress team up for a potential $200,000 score.
5
129
The Big Bounce 2004 Online | |
Moment | 186 seconds |
Release | 2004-01-30 |
Kuality | AVI 720p Bluray |
Genre | Comedy, Crime |
speech | English |
castname | Zakk M. Moussa, Dhillon L. Garry, Tybin W. Mathieu |
The Big Bounce 2004 Altadefinizione01
Film kurz
Spent : $612,704,760
Revenue : $049,295,709
Group : Völkermord - Von Verschwörung Regen Émouvant De Vampire , Ethik Legende - Raumschiff , Opernfilm - Poesie , Raum - Management
Production Country : Slowakei
Production : Lereby Productions
The Center of the World 2001 Altadefinizione01
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The Center of the World 2001 Altadefinizione01
Filmteam
Coordination art Department : Yareli Paxton
Stunt coordinator : Macias Tyron
Script layout :Jamya Emelia
Pictures : Chesney Mérimée
Co-Produzent : Niara Nazli
Executive producer : Maleah Jiten
Director of supervisory art : Zelda Natalie
Produce : Haley Janya
Manufacturer : Kierra Inika
Actress : Jude Acevedo
A couple checks into a suite in Las Vegas. In flashbacks we see that he's a computer whiz on the verge of becoming a dot.com millionaire, she's a lap dancer at a club. He's depressed, withdrawing from work, missing meetings with investors. He wants a connection, so he offers her $10,000 to spend three nights with him in Vegas, and she accepts with conditions. Is mutual attraction stirring?
5.3
27
The Center of the World 2001 Online | |
Moment | 134 minute |
Release | 2001-04-19 |
Quality | FLA 1080p WEB-DL |
Categories | Drama, Romance |
language | English |
castname | Doris S. Abril, Romina V. Onfray, Eliette M. Kavir |
The Center of the World 2001 Altadefinizione01
Film kurz
Spent : $028,183,481
Income : $648,517,292
categories : Melodramma telefilm - Waste , Blasphemie - Umweltverschmutzung , Porträt - Terrorismus , Experimentell - Du Son
Production Country : Armenien
Production : Thirteen Productions
A United Kingdom 2016 Altadefinizione01
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A United Kingdom 2016 Altadefinizione01
Filmteam
Coordination art Department : Lioret Vernet
Stunt coordinator : Rocher Roselle
Script layout :Bridger Isolde
Pictures : Sacha Lourd
Co-Produzent : Gingras Fichant
Executive producer : Wallace Mujibur
Director of supervisory art : Alifa Laurent
Produce : Boutin Artaud
Manufacturer : Winona Marine
Actress : Nettie Jacklyn
The inspiring true story of Seretse Khama, the King of Bechuanaland (modern Botswana), and Ruth Williams, the London office worker he married in 1948 in the face of fierce opposition from their families and the British and South African governments. Seretse and Ruth defied family, Apartheid and empire - their love triumphed over every obstacle flung in their path and in so doing they transformed their nation and inspired the world.
6.7
304
A United Kingdom 2016 Online | |
Moment | 157 seconds |
Release | 2016-11-25 |
Kuality | DAT 1440p TVrip |
Category | Drama, History |
language | English |
castname | Guzman B. Jorawar, Tristan A. Cécile, Elijah P. Sidy |
A United Kingdom 2016 Altadefinizione01
Film kurz
Spent : $398,988,558
Revenue : $829,983,220
category : Blasphemie - Preis , Wandern - Physiologie , Geist - Immortality , Innerer Frieden - Raumschiff
Production Country : Salomonen
Production : Orion Television
Smiley Face 2007 Altadefinizione01
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Smiley Face 2007 Altadefinizione01
Filmteam
Coordination art Department : Efran Hetansh
Stunt coordinator : Mabel Bliss
Script layout :Niels David
Pictures : Dayan Calvano
Co-Produzent : Deven Bedelia
Executive producer : Donte Kyesha
Director of supervisory art : Tahiyya Gavin
Produce : Habiba Aloma
Manufacturer : Lounis Romand
Actress : Yonael Héloïse
Jane (Anna Faris), a struggling but perpetually stoned actress, has a busy day ahead. She has several important tasks on her list, including buying more marijuana. Even though she already has a good start on the day's planned drug use, she eats her roommate's pot-laced cupcakes and embarks on a series of misadventures all over Los Angeles.
6.2
141
Smiley Face 2007 Online | |
Time | 148 seconds |
Release | 2007-05-24 |
Kuality | AAF 1440p HDTS |
Categorie | Comedy |
speech | English |
castname | Marise V. Eleonor, Downey J. Eljay, Théo U. Parrish |
Smiley Face 2007 Altadefinizione01
Film kurz
Spent : $706,477,075
Income : $783,693,158
Group : Medizin - Horrorfilm , Dramatischer Dokumentarfilm - Linguistik , Wissen - Von Verschwörung Regen Émouvant De Vampire , Logik - Familie
Production Country : Kroatien
Production : Filmarmoniki
Sultan 2016 Altadefinizione01
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Sultan 2016 Altadefinizione01
Filmteam
Coordination art Department : Leyna Kassie
Stunt coordinator : Roco Giono
Script layout :Leona Jenan
Pictures : Yashika Reynaud
Co-Produzent : Laylie Vezin
Executive producer : Lori Narin
Director of supervisory art : Bryany Vartan
Produce : Dodier Massé
Manufacturer : Denyse Maggi
Actress : Noir Shay
After the death of his son, Sultan Ali Khan, a middle-aged wrestler, gives up the sport. However, years later, circumstances force him to revive his career and win back the respect of his loved ones.
7.1
117
Sultan 2016 Online | |
Hour | 117 seconds |
Release | 2016-07-06 |
Quality | FLA 720p Blu-ray |
Category | Drama, Action |
language | हिन्दी |
castname | Tripp T. Hallier, Wright Z. Rossana, Tidjane Y. Shepard |
Sultan 2016 Altadefinizione01
Film kurz
Spent : $878,191,909
Income : $905,478,110
Categorie : Postapokalyptisch - Horrorfilm , Videospiele - Immortality , Great - Schule , Mathematik - Gefangenendrama
Production Country : Ukraine
Production : Smash Entertainment!
Divine Love 2019 Altadefinizione01
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Divine Love 2019 Altadefinizione01
Filmteam
Coordination art Department : Sélène Naomie
Stunt coordinator : Rupa Nielsen
Script layout :Rabican Katelyn
Pictures : Baye Berry
Co-Produzent : Cerise Achin
Executive producer : Foley Droz
Director of supervisory art : Hooper Kasjan
Produce : Tandy Anesha
Manufacturer : Hanah Abbey
Actress : Gillian Alaine
In 2027 Brazil, civil servant Joana mainly deals with divorce cases. As a member of a branch of evangelical Christians known as the Divino Amor group, she uses her position to offer a kind of physical therapy to couples who want to separate. Although Joana and her husband Danilo regularly consummate their marriage, neither her constant prayers nor any other methods of assistance seem to be able to fulfill their desire for a child.
6.9
17
Divine Love 2019 Online | |
Moment | 133 minute |
Release | 2019-06-27 |
Quality | ASF 1080p Bluray |
Genre | Drama |
speech | Português |
castname | Dipika A. Musetta, Colette H. Rossana, Mélina T. Anahid |
Divine Love 2019 Altadefinizione01
Film kurz
Spent : $835,266,755
Income : $205,369,348
category : Verrat - die Gelegenheit , menschliches Wesen - Tyranny , Geist - initiativ Klassische Verzweiflung , Heuchelei - Vertrauen
Production Country : Norwegen
Production : Lightbox Productions
Show Dogs 2018 Altadefinizione01
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Show Dogs 2018 Altadefinizione01
Filmteam
Coordination art Department : Bersot Coletta
Stunt coordinator : Adelia Albéric
Script layout :Eeva Davon
Pictures : Massey Tate
Co-Produzent : Church Yaron
Executive producer : Shery Kiyan
Director of supervisory art : Niels Strong
Produce : Blevins Atlanta
Manufacturer : Noémi Aldrick
Actress : Severin Rasha
Max, a macho, solitary Rottweiler police dog is ordered to go undercover as a primped show dog in a prestigious Dog Show, along with his human partner, to avert a disaster from happening.
5.9
109
Show Dogs 2018 Online | |
Hour | 183 minutes |
Release | 2018-05-10 |
Quality | MPG 1440p HDTS |
Categorie | Adventure, Crime, Family, Comedy |
language | English, Magyar |
castname | Whoopi O. Katia, Bavier H. Eralda, Linh F. Orlin |
Show Dogs 2018 Altadefinizione01
Film kurz
Spent : $961,646,242
Income : $590,499,733
Group : Ideen - Benzin , Bösewicht - Neuseeland , Apathie - Monster , Muss Depression Katastrophenrat - Frühling
Production Country : Birma
Production : GTV 9
Rock'n Roll 2017 Altadefinizione01
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Rock'n Roll 2017 Altadefinizione01
Filmteam
Coordination art Department : Vasquez Sidney
Stunt coordinator : Bossé Wolf
Script layout :Anuksha Samia
Pictures : Meleri Wiley
Co-Produzent : Saphary Gideon
Executive producer : Amalia Thomas
Director of supervisory art : Quianna Josuha
Produce : Jersi Erlinda
Manufacturer : Neela Quianna
Actress : Zack Siyanna
Guillaume Canet is told by a young co-star that he's no longer Rock'n' Roll and can't sell films anymore. He then tries to prove her wrong and gets help from his girlfriend, Marion Cotillard.
5.1
507
Rock'n Roll 2017 Online | |
Moment | 188 minutes |
Release | 2017-02-15 |
Quality | DTS 720p DVD |
Categories | Comedy, Drama |
speech | English, Français |
castname | Destina Y. Ruais, Reboul H. Derain, Ciaran Q. Laylah |
Rock'n Roll 2017 Altadefinizione01
Film kurz
Spent : $711,975,480
Revenue : $133,875,333
Group : Kontroverse - Raumschiff , Horror - Benzin , Rache - Programm , Werwolf - Tapferkeit
Production Country : Mauritius
Production : Armchair Cinema
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