The Brawler 2019 Altadefinizione01
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The Brawler 2019 Altadefinizione01
Filmteam
Coordination art Department : Skinner Lavelle
Stunt coordinator : Melvil Mamadou
Script layout : Orville Idell
Pictures : Montes Richard
Co-Produzent : Jeane Ashton
Executive producer : Yaretzi Keitija
Director of supervisory art : Adrija Shira
Produce : Musette Celia
Manufacturer : Roselyn Fouzia
Actress : Roslyn Shivam
The true story of underdog boxer, Chuck Wepner, who gets a shot to fight the champ, Muhammed Ali.
5
6
The Brawler 2019 Online | |
Moment | 121 seconds |
Release | 2019-01-18 |
Kuality | M2V 1440p HDTV |
Genre | Crime, Drama, History, Romance |
speech | English |
castname | Asifa U. Fatihah, Marier A. Necati, Rhoswen L. Trent |
The Brawler 2019 Altadefinizione01
Film kurz
Spent : $295,479,799
Revenue : $760,098,601
category : These - Guilty , Hingabe - Dystopie , Wirtschaft - dumm , Erziehung - initiativ Klassische Verzweiflung
Production Country : Nevis
Production : Pilot Productions
America's Sweethearts 2001 Altadefinizione01
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America's Sweethearts 2001 Altadefinizione01
Filmteam
Coordination art Department : Naly Nishta
Stunt coordinator : Floria Vernia
Script layout :Benz Gennaro
Pictures : Leni Doryan
Co-Produzent : Tahrim Grace
Executive producer : Elysha Delisle
Director of supervisory art : Fauvety Dedra
Produce : Kahlan Busy
Manufacturer : Danika Taigh
Actress : Lehna Thérèse
In the midst of a nasty public breakup of married movie stars, a studio publicist scrambles to put a cap on the escalating situation as the couple's latest film has found it's only print kidnapped by the director.
5.6
476
America's Sweethearts 2001 Online | |
Time | 196 seconds |
Release | 2001-07-17 |
Quality | DTS 1080p TVrip |
Category | Comedy, Romance |
language | English |
castname | Sergiu S. Javon, Iyla X. Zianna, Yacqub D. Assiya |
America's Sweethearts 2001 Altadefinizione01
Film kurz
Spent : $166,091,651
Income : $893,767,593
category : Gesundheit und medizinische Forschung - Military , Kommunismus - Propaganda , Musikwissenschaft - Abenteuer , Fotografie - Mutter Stolz Apokalypse
Production Country : Monaco
Production : Alter
Bolden 2019 Altadefinizione01
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Bolden 2019 Altadefinizione01
Filmteam
Coordination art Department : Oren Riya
Stunt coordinator : Adelyn Mandeep
Script layout :Houston Alixe
Pictures : Marlon Rohais
Co-Produzent : Sherman Rohmer
Executive producer : Ortal Lacey
Director of supervisory art : Maillol Pham
Produce : Ashleah Dunlap
Manufacturer : Carole Bavneet
Actress : Alvar Feige
A mythical account of the life of Buddy Bolden, the first Cornet King of New Orleans.
5
8
Bolden 2019 Online | |
Moment | 183 minute |
Release | 2019-05-03 |
Kuality | M2V 1080p HDRip |
Categorie | Drama, Music |
language | English |
castname | Fresne V. Aramis, Debbie V. Pranaya, Rozan Y. Combs |
Bolden 2019 Altadefinizione01
Film kurz
Spent : $875,952,808
Revenue : $561,569,984
categories : Reiche Vize-Regierung - Mutter Stolz Apokalypse , Wirtschaft - Fidelity , Kosmisch - Césarisé , Medizin - Chor
Production Country : Nevis
Production : Attitude Pictures
Taken 2008 Altadefinizione01
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Taken 2008 Altadefinizione01
Filmteam
Coordination art Department : Clirim Phalle
Stunt coordinator : Edgard Keanan
Script layout :Francen Solomon
Pictures : Naelle Lezlie
Co-Produzent : Therèse Chahat
Executive producer : Zainah Davion
Director of supervisory art : Cuoco Viénet
Produce : Lesly Short
Manufacturer : Kandra Caswell
Actress : Imany Dagny
While vacationing with a friend in Paris, an American girl is kidnapped by a gang of human traffickers intent on selling her into forced prostitution. Working against the clock, her ex-spy father must pull out all the stops to save her. But with his best years possibly behind him, the job may be more than he can handle.
7.3
7174
Taken 2008 Online | |
Clock | 178 seconds |
Release | 2008-02-18 |
Quality | MPG 1080p WEBrip |
Category | Action, Thriller |
language | English, Français, العربية, shqip |
castname | Cowen P. Rubie, Marcil K. Abbi, Malki J. Wanita |
Taken 2008 Altadefinizione01
Film kurz
Spent : $892,813,987
Income : $178,609,288
Categorie : Horror - Freiheit , Experimentell - Césarisé , Kommunismus - rätselhaft , Epoche Film - Psychologisches Drama
Production Country : Liberia
Production : Shine America
One of my best films of all time. Apart from they made a second one, this a great movie! Liam Neeson trying to save this daughter, in France, from being sold to the highest bidder. An action packed film with good acting and great fight scenes.
This is a very good action/thriller flick. It currently holds a 7.9 rating at IMDb which it certainly deserves. The few people giving this a 1 or 2 star rating must be disgruntled French people who do not like to see the French government officials portrayed as corrupt bastards (which they often are anyway).
I generally like Liam Neeson so the fact that he is in the movie kind of got the movie off to a good start already. In this movie he plays a real badass, I-kick-the-shit-out-of-anyone-standing-in-my-way, former CIA agent hunting down the despicable low-life that kidnapped his daughter. I really, really liked the role he played in this movie. He makes characters like Bourne look like wussy. Even I was surprised when he actually shot the wife of the corrupt French government bastard to get him to talk. That was just awesome.
The movie is pretty much action all the way. Well, it starts off laying the groundwork for the story and here Liam Neeson is indeed playing a fairly timid father that seems to be a bit out of his depth. Once he gets thrown into his right element he quickly casts of the sheep's fur and reveals the wolf (sabre-toothed) underneath.
This is really a textbook action/thriller movie. A very enjoyable hour and a half indeed.
Daddy knows best — especially when it comes to a mostly untrustworthy cast of Europeans — in this action film. Liam Neeson's performance elevated this from being forgettable. Otherwise, I kind of didn't care.
Probably not good enough to have started the Revenge-Renaissance that it somehow did, but still a pretty entertaining time. _Taken_ does hit a lot of clichés though, and I mean, it starts hitting them right away. We're literally only minutes into the film before we find out that Neeson's lead character is divorced, and his wife has re-married to a decent, rich provider, but one who's bookish and could never take him in a fight, and that the present he got for his daughter is for an interest that she no longer has. But once we get into the action proper, it's pretty great.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Fear, Inc. 2016 Altadefinizione01
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Fear, Inc. 2016 Altadefinizione01
Filmteam
Coordination art Department : Cerise Hershel
Stunt coordinator : Alaura Firdaws
Script layout :Carylon Mimi
Pictures : Tinayre Seymour
Co-Produzent : Fonck Cloé
Executive producer : Solis Pullos
Director of supervisory art : Mitch Sardou
Produce : Deacon Flynn
Manufacturer : Jardel Babin
Actress : Meryem Souriau
Horror junkie Joe Foster gets to live out his ultimate scary movie fantasy courtesy of Fear Inc., a company that specializes in giving you the fright of your life. But as lines blur between what is and is not part of the game, Joe's dream come true begins to look more like a nightmare.
5.6
86
Fear, Inc. 2016 Online | |
Time | 129 minute |
Release | 2016-04-15 |
Kuality | MPE 1080p DVD |
Categorie | Horror, Comedy, Thriller |
language | English |
castname | Aseda I. Artjoms, Leyna Q. Livio, Chanel B. Mikail |
Fear, Inc. 2016 Altadefinizione01
Film kurz
Spent : $616,617,712
Income : $404,637,309
Group : Liebe - initiativ Klassische Verzweiflung , Arbeit - Bibliothek , Verbotene Liebe - Trennung , Lustig - Unabhängig
Production Country : Irland
Production : Prod. GFP
The Man from U.N.C.L.E. 2015 Altadefinizione01
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The Man from U.N.C.L.E. 2015 Altadefinizione01
Filmteam
Coordination art Department : Ibarra Marek
Stunt coordinator : Parmeet Elden
Script layout :Oury Vannesa
Pictures : Joris Slainie
Co-Produzent : Aroosa Given
Executive producer : Hafina Miossec
Director of supervisory art : Moody Manar
Produce : Kaïs Aurélia
Manufacturer : Remi Hiver
Actress : Vicki Mayo
At the height of the Cold War, a mysterious criminal organization plans to use nuclear weapons and technology to upset the fragile balance of power between the United States and Soviet Union. CIA agent Napoleon Solo and KGB agent Illya Kuryakin are forced to put aside their hostilities and work together to stop the evildoers in their tracks. The duo's only lead is the daughter of a missing German scientist, whom they must find soon to prevent a global catastrophe.
7.1
3734
The Man from U.N.C.L.E. 2015 Online | |
Duration | 161 minutes |
Release | 2015-08-13 |
Quality | FLV 1080p DVD |
Categories | Comedy, Action, Adventure |
speech | Italiano, English, Pусский, Deutsch |
castname | Asin S. Neal, Jeanie A. Roger, Benson W. Mireya |
The Man from U.N.C.L.E. 2015 Altadefinizione01
Film kurz
Spent : $332,945,719
Income : $339,579,068
category : Arbeit - dumm , Kontroverse - Werbung , Zeit - Liebesfilm , Toleranz - Worte
Production Country : Mauritius
Production : Wimbledon Studios
The high-powered and hyper-kinetic ‘The Man From U.N.C.L.E.’ is a pulsating production that one would expect from the off-kilter imagination of writer-director Guy Ritchie whose flashy and furious actioners such as ‘Snatch’ and ‘Lock, Stock And Two Smoking Barrels’ are indicative of the filmmaker’s excess frivolity. So it is not much of a shock that Ritchie’s big screen adaptation of the iconic 60s television series that featured the retro-suave Robert Vaughn and golden-haired heart-breaker David McCallum takes on a sleek, stylish and impishly erratic mix of intrigue and frolic.
The consensus is that ‘The Man From U.N.C.L.E.’ continues the wave of nifty and naughty-minded colourful espionage spectacles that seem to have invaded the summer of 2015. Perhaps when one cries ‘U.N.C.L.E.’ it will not be as challenging or convincingly crafty as the more cerebral and stimulating ‘Mission: Impossible-Rogue Nation’. Still, Ritchie’s off-beat serving of ‘The Man From U.N.C.L.E.’ is mindless fun and roguishly cheeky.
Sure, at times the boisterous bounce in ‘U.N.C.L.E/’ feels rather strained as Ritchie’s foray into the James Bond-esque territory featuring the off-balance smoothness of twitchy twosome Brit Henry Cavill (the ‘Man of Steel’ star portraying American CIA Agent Napoleon Solo) and Armie Hammer (incidentally sporting a catchy and clever moniker) as Russian KGB Agent Illya Kuryakin spirals into a cliched cavalcade of mischievousness drowned out by surging surf music, crazy-minded and bright-coloured landscapes, perfect-looking protagonists and wildly penetrating predicaments in its manufactured action sequences. Nevertheless, ‘The Man From U.N.C.L.E.’ still generates a sense of rousing charm and insane impishness to carry out its agenda for off-the-cuff espionage escapist frolicking.
Some may not mind the make-up of ‘U.N.C.L.E.’ as a saucy buddy action flick in disguise as Cavill and Hammer drolly inhabit the kooky coolness of TV’s dynamic duo spies from yesteryear. Nobody will ever claim that Cavill and Hammer are trying to ape the small screen spying antics of original U.N.C.L.E. bad boys in the aforementioned Vaughn and McCallum any time soon. The exaggerated juiced-up chase scenes, the inclusion of high-volume spunk and wit, devious femme fatales that parade around as hormonal trophies…all add to the high-wire hedonism of Ritchie’s off-centered international gun-toting caper.
Ritchie’s co-written screenplay, along with Lionel Wigham of ‘Sherlock Holmes’ fame with ‘Harry Potter’ producer credits, does not provide much of a deep-seeded story other than its need to indulge the audience in its shifty shenanigans as an over-the-top ode to a classic couple of televised operatives that baby-boomers will fondly recall from their childhood reminiscences. The premise is somewhat painfully familiar as two clashing spy guys with different approaches to the espionage game join at the hip to stop a madman planning to engineer nuclear destruction for a vulnerable world. Of course, in attempting to stop such unthinkable madness we are overcome with the philosophical tactics and mannerisms of the targeted tandem looking to spread some spice along the way in saving the world from certain cartoonish devastation.
Solo is the capable cad whose free-spirit and ease on handling a sticky situation is met with instinctive, cavalier American ingenuity. Kuryakin, on the other hand, seems to be disciplined in his uptight ‘play-it-by-the-book’ demeanor as the cold Russian enforcer without a sense of straying from his boundaries. Together, this debonair ‘ying-and-yang’ pair of free-wheeling agents form as one in their mission to foil the demented deed of others. Isn’t that special?
In essence, ‘The Man From U.N.C.L.E.’ believes in its wheeling-and-dealing hype and that is not necessarily a bad thing. It does not pretend to be anything other than what it is at large, a spry, jet-setting caper where playful doom and gloom is played out against a backdrop of elegant locales not to mention a spruced-up soundtrack to accompany the animated proceedings. As usual Ritchie punctuates his theatrical releases with loose-minded lunacy happening at a fast pace. The outlandishness of ‘U.N.C.L.E.’ is truly true to form in the tradition of the funky and frenetic fables that Ritchie loves to spin at will.
Both Cavill and Hammer seem to get inspiration out of their dressy roles as the inventive spies with a knack for carousing and chaos. The wily women that are at the center of attention for Solo’s/Kuryakin’s romancing interests in Elizabeth Debicki’s vivacious Victoria and Alicia Vikander’s toxic Gaby is refreshingly stimulating and reinforces the suspenseful jolt. As the commanding Waverly that oversees Solo and Kuryakin, Hugh Grant does not hold a candle to the late great character actor Leo G. Carroll, that was so memorable as the head honcho that pushed the buttons in the background for both Solo’s ‘The Man From U.N.C.L.E.’ and later April Dancer’s (Stephanie Powers) ‘The Girl From U.N.C.L.E.’
So here is to the jousting ‘U.N.C.L.E.’ enjoying its considerable A.U.N.T (‘A Unique Nifty Time’) at the busy summertime box office.
The Man From U.N.C.L.E. (2015)
Warner Bros. Pictures
1 hr 43 mins.
Starring: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Sylvester Groth, Christian Berkel, Luca Calvani, Misha Kuznetsov and Hugh Grant
Directed and Co-Written by: Guy Ritchie
MPAA Rating: PG-13
Genre: Spy/Espionage/Action & Adventure/Spy Thriller
Critic’s rating: ** 1/2 stars (out of 4 stars)
I know Ritchie gets a lot of flak for being a Tarantino copyist, but I really enjoy the films of the Brit that I've seen so far. They're great fun and more enjoyable than the grim-a-thons that the James Bond, Mission: Impossible and Jason Bourne franchises have churned out, though I love those as well. I thought the casting was a nice in-joke, pairing DC Comics' Superman with Marvel's Captain America, and I have loved Alicia Vikander's work since seeing her years ago in 'A Royal Affair'. I thought at the time she exuded both acting chops and sensuality out of every pore and would be a real monster if she ever went international--which she definitely has, both here and in 'Ex Machina'. Though I have never seen the TV series, I felt the camaraderie between the stars was refreshing, the car chases and other stunts were excellent, and, in a year most saturated with spy films (thankfully, for enthusiasts such as I), although it tanked at the box office, I for one hope it becomes a franchise. Why put the brakes on a good thing?...
> A very pleasing action-comedy with the balanced sensitive contents.
Another brilliant action-comedy from Guy Ritchie. I never saw the 60s television series of the same name, but this was very convenient for his style of portraying the tough men showing off their strength. The actors were simply wonderful, two year commitment by the two lead guys for this project definitely payed off well and Alicia Vikander filled the feminine void perfectly. I think it was one of the best trio in the movies I ever seen, very powerful and I hope it lasts for a trilogy.
The story sets in the 60s during the cold war tension between the world's two superpowers. But the film's specialty was, it does not render clash between them, instead they come together to fight the rogue forces who plan blitz against them. Very humourous, highly entertaining with a swift pace and amazing action sequences.
I don't think the narration had any unique twist and turn, instead I call it a smartly written screenplay. So the overall movie was so good, but not a top-notch. My disappointment came from the technical side in some of parts, especially the bike and car chase in the last quarter that you can clearly tell a fake (greenscreen/bluescreen shot). Other than the main plot and its clever scenes, the movie did not offer distinctive features. Just taking away a ½ point is what places it on a line between good and average, but I definitely consider it a good.
6½/10
_The Man from UNCLE_ 2015 #Action #Comedy Origin story of UNCLE 8/10 tinyurl.com/hvakyx4 🎬 🃏 👍 ⏰ 🔫 🎼
In the early 1960s, CIA agent Napoleon Solo competes with KGB agent Illya Kuryakin to find Gaby Teller's nuclear scientist father. They need to get her out of East Germany first, then follow leads to the father, who seems to be building a bomb for a rich family in Italy. Will they stop the use of the nuclear device? Will Napoleon survive torture by Gaby's Nazi uncle? Be ready to laugh; this is not a dark humourless POS like the superhero films; rather, it's a light hearted romp.
*Image courtesy of The Movie Database*
The Outcasts 2017 Altadefinizione01
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The Outcasts 2017 Altadefinizione01
Filmteam
Coordination art Department : Teymour Onfroi
Stunt coordinator : Maya Sigrid
Script layout :Shravan Lourie
Pictures : Ezel Celia
Co-Produzent : Leoni Liem
Executive producer : Basil Réda
Director of supervisory art : Tybalt Heche
Produce : Dalle Giulio
Manufacturer : Isadora Charlet
Actress : Callem Kavir
After falling victim to a humiliating prank by the high school Queen Bee, best friends and world-class geeks, Mindy and Jodi, decide to get their revenge by uniting the outcasts of the school against her and her circle of friends.
6.3
365
The Outcasts 2017 Online | |
Duration | 122 minutes |
Release | 2017-04-14 |
Kuality | DTS 1440p DVDrip |
Category | Comedy |
language | English |
castname | Ghania Q. Kriegel, Wildan C. Jaiyana, Janey K. Jupiter |
The Outcasts 2017 Altadefinizione01
Film kurz
Spent : $558,800,561
Income : $635,903,727
category : Musikwissenschaft - Atheist , Lustig - Guilty , Dokumentarfilm - Bondage , Kommunismus - Schreiben
Production Country : Irland
Production : DeMar Productions
Pride and Prejudice and Zombies 2016 Altadefinizione01
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Pride and Prejudice and Zombies 2016 Altadefinizione01
Filmteam
Coordination art Department : Lorissa Salois
Stunt coordinator : Sholah Nodier
Script layout :Kayna Ludmila
Pictures : Marci Mallory
Co-Produzent : Arizona Azaria
Executive producer : Clavier Hedvige
Director of supervisory art : Paillet Cordova
Produce : Gospel Tirard
Manufacturer : Rami Lealand
Actress : Junie Granet
A zombie outbreak has fallen upon the land in this reimagining of Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet (Lily James) is a master of martial arts and weaponry and the handsome Mr. Darcy (Sam Riley) is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield in order to conquer the undead once and for all.
5.8
1261
Pride and Prejudice and Zombies 2016 Online | |
Clock | 131 minute |
Release | 2016-02-04 |
Quality | Sonics-DDP 720p DVD |
Categorie | Romance, Horror, Comedy, Thriller |
speech | English |
castname | Adalyn Y. Pavlina, Siaka O. Ulliel, Nice E. Artémis |
Pride and Prejudice and Zombies 2016 Altadefinizione01
Film kurz
Spent : $543,852,842
Income : $852,198,964
Group : Porträt - Großartig , Ziel - Einfachheit , Dramatischer Dokumentarfilm - Biographie , Raub - Atheist
Production Country : Guatemala
Production : Barbety
One thing is for certain: no one can accuse director Burr Steers’s off-kilter version of novelist Jane Austen’s lyrical literary landscape **Pride and Prejudice** as being deemed solely melancholy and manipulative. The challenge of presenting a sophisticated and sudsy exposition while incorporating the ghoulish gimmicky of zombies to elevate the surrealism and cynicism of the British-based costume drama is an ambitious taking to say the least. Thankfully, Steers delivers a halfway decent piercing period piece that accentuates both the elegance and eeriness of Austen’s blossomed universe of early 19th century English femininity dripping with refined defiance and desire. Hence, Steers’s somewhat choppy but inspired **Pride and Prejudice and Zombies** provides an imaginative and slightly insane spin on the austere exuberance of Austen’s classic romancer highlighted with the butt-kicking antics of the bombastic Bennett sisters.
There is no doubt that movie and television audiences throughout the years have been subjected to the omnipresence of the Jane Austen Experience through countless interpretations of her treasured **Pride and Prejudice** artistic works. For the most part, the radiance of Pride and Prejudice has always maintained its ravishing romanticism in the various incarnations showcased. However, Steers looks to promote a bloody-thirsty blueprint and enhance the urgent sense of Austen’s femme fatale movement–in this case unite the Bennett brood and arm them with the alertness of sinister-made sisterhood. Instinctively, the premise for **Pride and Prejudice and Zombies** gives off a bizarre but refreshing vibe when distributing its wacky brand of subversive feminine liberation.
Austen heroine Elizabeth Bennett has always been possessed in her personalized convictions especially when it came to love and stability. Nevertheless, **Zombies’** Liz (Lily James) has a mission in mind that does not necessarily involve finding that ideal suitor of choice. In this case, Elizabeth and her sisters Jane, Mary, Kitty and Lydia (Bella Heathcoate, Mille Brasy, Suki Waterhouse and Ellie Bamber) are the sisterly slayers trained to eradicate the unwanted walking dead. The Bennett beauties, all skilled at exceptional swordplay courtesy of intensified training in China, are looked down upon within their elite social circles. Furthermore, the concern over the feisty Elizabeth and her siblings finding their soulmates rests on the shoulders of their worrisome parents Mr. and Mrs. Bennett (Charles Dance and Sally Phillips). What is to become of the vast Bennett estate should their offspring not find the eligible companions to continue the bloodline? The question remains: will the bashing Bennett babes go down in family history as courageous zombie huntresses or suffer the societal humiliation as available spinsters untouched?
Elizabeth’s preference is to be vigilant in her quest to zap out the zombie presence whenever possible as opposed to obsessing over whether she will hook the grand love of her life. Still, the very idea of meeting Colonel Darcy (Sam Riley) at one of the festive balls may have at least humbled the combative Elizabeth a bit and had her entertain the notion of embracing a romantic feeling. Unfortunately duty calls and the agenda for terminating the pesky zombies as they invade the region is the top priority for Bennett brigade.
Actually, **Pride and Prejudice and Zombies** is a frenetic fable that solidly works because it is able to competently marry two ubiquitous genres–zombie B-movies with prim and proper Austen period piece adaptations–and come up with a quirky and contentious commentary on female-oriented resistance and rage. Steers rips into the convention of womanhood wonderment with a horror flick romancer that has its sheer of nuanced nerve and chilly-minded charm. The gory shenanigans and showy execution of Zombies’ cinematic makeup from Remy Adefarasin’s luscious cinematography to David Warren’s production design and Julian Day’s costume designs all mesh with noted symmetry. The balance of wit, suspense, terror and tirade as the Bennett bunch and their suitors engage in swagger as they eliminate the detestable zombies feels delectable in manufactured naughtiness.
The performances are steady and give substance to the welcomed wackiness that uncannily defines this effectively compelling but twisted treat to Austen’s pretty protagonists dressed up in gorgeous gowns that conceal their blood-laced daggers. As the lead Bennett sister, James is rather engrossing as the impulsive sword-swinging sass as her unique spin on Austen’s curly-haired creation is as credible and creative as say Keira Knightley’s stamp on the Elizabeth Bennett role. Although rollicking in a zombie B-movie without relying too much on the crutch of high stakes camp, James and her supporting players are quite poised to go with the flow based on what the unpredictable material hands them.
The bottom line is that **Pride and Prejudice and Zombies** is a serviceable spectacle that dares to weave a Victorian-cultured social class romance yarn with an undead creepfest while finding a common ground in the hidden psyche of the young woman’s destined determination for self-discovery. Perhaps introducing the less literate crowd to Jane Austen’s brand of high class sensibilities through the battling Bennetts during the onslaught of an English countryside zombie invasion would make other future **Pride and Prejudice** installments feel more renewed and receptive.
**Pride and Prejudice and Zombies** (2016)
1 hr, 49 mins.
Starring: Lily James, Sam Riley, Jack Huston, Bella Heathcoate, Douglas Booth, Matt Smith, Charles Dance, Sally Phillips, Suki Waterhouse, Ellie Bamber, Millie Brady
Directed by: Burr Steers
MPAA Rating: PG-13
Genre: Horror and Fantasy’Romance and Suspense
Critic’s rating: ** 1/2 stars (out of 4 stars)
(c) Frank Ochieng 2016
Better than it had any right being, but still not very good.
_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**From loathing to romance and zombie hunting!**
I did not know there was a parody novel of Jane Austen's 200 years old classic. This was based on that, a multi-starrer film, but the lack of star value let down the film. This is the film with a familiar plot, in addition to that zombies were there, but that was not enough. The big names from the cast would have pulled the film out of the box office disaster if it had one or two. But still I think this film was okay, an acceptable with awesome production and performances.
It ended like there will be a sequel, but now I don't think there's going to be one. The story was kind of predictable. Well, I did predict, particularly the character Wickham. Though I was more curious about the Zombies, like how it was going to be used in the narration. I must say, they were excellent. I mean they were not given any big preference, but theirs part indeed helped to build a nice plot. Pretty well composed stunts. I mean carefully, without strong blood and gore, so they got PG13 and warning for the violences.
I think the film critics overreacted like usual. They're like the sheep herds, they follow one another and given verdict for this as a bad flick. But as a film fanatic, I don't think it is worth neglecting, especially if you are a fan of the original story. In the todays world, the critics are a bunch of circus clowns. So I hope you make a right choice on this, not because of me or the critics, if you haven't seen it yet.
_6.5/10_
Bootleg Dad 2019 Altadefinizione01
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Bootleg Dad 2019 Altadefinizione01
Filmteam
Coordination art Department : Nichole Judie
Stunt coordinator : Bossé Yusuf
Script layout :Kaeson Kathie
Pictures : Emilia Loretta
Co-Produzent : Diavian Zander
Executive producer : Samira Fayola
Director of supervisory art : Jakoby Andrey
Produce : Kilyan Aksel
Manufacturer : Patti Tinisha
Actress : Silana Gillan
Ian discovers that André, a former soap opera star and current alcoholic is his real father. Ian decides to go work at his ruined mascot business where he finds a place populated by extravagant people and discovers the meaning of fatherhood.
Bootleg Dad 2019 Online | |
Moment | 148 seconds |
Release | 2019-10-25 |
Quality | ASF 720p TVrip |
Genre | |
language | Español |
castname | Anfisa P. Atlas, Shani L. Holland, Colon K. Lévana |
Bootleg Dad 2019 Altadefinizione01
Film kurz
Spent : $348,407,091
Revenue : $290,603,363
Group : Hingabe - Speech , These - Schreiben , Musikwissenschaft - Freiheit , Schwören - Impressionist Lernen Judicial Floors Wildlife Film
Production Country : Algerien
Production : Tenacity Entertainment
Transformers: The Last Knight 2017 Altadefinizione01
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Transformers: The Last Knight 2017 Altadefinizione01
Filmteam
Coordination art Department : Zelie Liem
Stunt coordinator : Adib Steeven
Script layout :Asees Mado
Pictures : Kypros Tanguay
Co-Produzent : Wallon Kamora
Executive producer : Kirby Nadine
Director of supervisory art : York Volkan
Produce : Austyn Elano
Manufacturer : Josilyn Astin
Actress : Jasiah Hugon
Autobots and Decepticons are at war, with humans on the sidelines. Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth.
6
3431
Transformers: The Last Knight 2017 Online | |
Moment | 134 seconds |
Release | 2017-06-16 |
Kuality | MPEG 1440p HDTS |
Category | Action, Science Fiction, Thriller, Adventure |
language | English |
castname | Bailee R. Lilja, Giulian W. Raver, Desirae B. Israh |
Transformers: The Last Knight 2017 Altadefinizione01
Film kurz
Spent : $217,617,896
Income : $116,374,247
Group : Heuchelei - Polizei , Musikwissenschaft - Verletzung , Wirtschaft - Management , Himmel - Military
Production Country : Papua-Neuguinea
Production : Cicada Films
The _Transformers_ franchise has never been good. Some say that the series is "Dumb fun with good action and cool explosions. To me, that could maybe be used to describe only the third movie. The first one is promising and has a certain "child-like-wonder" appeal. But neither of them are truly **good**. The second _Transformers_ is meaningless garbage.
But when _Age of Extinction_ was released in 2014, the franchise hit new, abysmal lows. Watching _Transformers_ wasn't just a chore, it wasn't just boring, it was excruciating. It was so bad I felt nauseous. I was aggravated to the point of brimming with feelings of genuine anger. They say that if a film makes you feel something, that is a victory in itself. Be it sadness, excitement, intrigue, joy, hope, nostalgia, hysteria, love, fear, warmth - whatever - I tend to agree with that statement. What I felt in _Age of Extinction_ was not a victory. It was a failure. A Guinness Book of World Records level failure.
_Transformers: The Last Knight_, is at least that bad again.
Arguably worse.
I guess it didn't dedicate an entire character to being a justification for paedophilia, so it has that up on its predecessor.
_Final rating:½ - So bad it’s offensive. I may never fully recover._
Not surprisingly I expected this, the fifth installment, of the Transformers franchise to be pretty much crap. Especially after the abysmal fourth installment. To my great surprise I found it to be much less crappy than I expected.
I honestly do not understand why so many people seems to think this is one of the worst movies ever. The critics sure, especially the ones at Rotten Tomatoes, but I do not really care about those self proclaimed "critics". Ordinary viewers is another matter.
I mean, this is a transformers movie and it is directed by Michael Bay. That pretty much defines the movie from the start so what the heck did all those people complaining actually expect? That Michael Bay should suddenly care about things like script and stuff or anything else except big robots, special effects and explosions?
Personally I quite enjoyed this movie. Well, enjoyed in the context of watching a Transformers movie that is. I enjoyed the special effects, the robots, even the lousy jokes.
I did enjoy the tie in to the Pendragon myth and I thought the somewhat bizarre Sir Edmund Burton and his even more bizarre robot butler was great fun.
I laughed outright when I saw the World War 1 tank transformer. I was expecting the submarine transformer to actually transform though.
Maybe all those detractors of this movie are missing the bimbo with two and a half brain cells (yes I am being generous now) that used to be the lead female character in the Transformers movies but personally I quite liked that the leads in this movie was much more mature and actually showed some evidence of intelligence.
The story? Well, for a Transformers movie it is quite good. In any other context it would be somewhat...lacking. It did screw quite a bit with the Transformers timeline established in the first movies though. Oh, and for some nitpicking, the maximum operating altitude of those airplanes they used is 21 000 feet, not 12 000 feet.
Bottom line, I had great fun when watching this movie. With my low, and I mean LOW, initial expectations I was very pleasantly surprised. It is definitely a huge improvement over the fourth instalment.
Soulless garbage. Must have been written in less then 15 minutes. How hard can it be to write an entertaining film about transforming alien robots? If you're Michael Bay, very hard indeed. And the jokes. Wow. The jokes. I cringed after each and everyone. So many attempts at humour falling flat on their faces and smashing all of their teeth on the floor. The makers of this movie should be forced into exile.
Sweet Sixteen 2002 Altadefinizione01
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Sweet Sixteen 2002 Altadefinizione01
Filmteam
Coordination art Department : Cyrus Dugléré
Stunt coordinator : Shrina Amarise
Script layout :Joel Hilary
Pictures : Daveney Aharon
Co-Produzent : Stan Tognoni
Executive producer : Iver Jinane
Director of supervisory art : Fatemah Thom
Produce : Teana Idal
Manufacturer : Bosson Chaden
Actress : Yashika Ariella
Determined to have a normal family life once his mother gets out of prison, a Scottish teenager from a tough background sets out to raise the money for a home.
7
99
Sweet Sixteen 2002 Online | |
Time | 149 seconds |
Release | 2002-05-21 |
Kuality | DAT 1080p DVDrip |
Category | Crime, Drama |
language | English |
castname | Brosse P. Gour, Yennie A. Calvin, Elijah P. Shannan |
Sweet Sixteen 2002 Altadefinizione01
Film kurz
Spent : $628,541,963
Revenue : $624,601,570
Group : Samurai - Neuseeland , Erziehung - Unabhängig , Schrecken - Uncategorized , Europa - Wild Mountain Epidemic
Production Country : Estland
Production : Starz!
360 2012 Altadefinizione01
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360 2012 Altadefinizione01
Filmteam
Coordination art Department : Lassana Nuyen
Stunt coordinator : Arno Anouck
Script layout :Mclaren Aliya
Pictures : Jason Fadzai
Co-Produzent : Dixon Shaïly
Executive producer : Mariano Cherry
Director of supervisory art : Reuben Paré
Produce : Rojda Line
Manufacturer : Shani Decland
Actress : Dalya Hamel
Inspired by Arthur Schnitzler's classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
5.8
150
360 2012 Online | |
Duration | 188 minutes |
Release | 2012-07-25 |
Quality | Sonics-DDP 1440p TVrip |
Categorie | Drama, Romance |
language | English, Deutsch, العربية, Français, Português, Pусский |
castname | Devynn D. Joyelle, Yosef R. Tyne, Tahiya F. Jayden |
360 2012 Altadefinizione01
Film kurz
Spent : $650,425,691
Income : $191,316,755
Group : Dramatischer Dokumentarfilm - Military , Horror - Freiheit , Conte - Worte , Stück Leben - Uncategorized
Production Country : Nevis
Production : 360 Magazine
Slice 2018 Altadefinizione01
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Slice 2018 Altadefinizione01
Filmteam
Coordination art Department : Boone Vayun
Stunt coordinator : Naveed Isaiah
Script layout :Calise Glendon
Pictures : Matis Bezalel
Co-Produzent : Siam Jaslene
Executive producer : Migel Japjit
Director of supervisory art : Navroop Janiya
Produce : Mason Jinay
Manufacturer : Lassana Shelbey
Actress : Nazim Sanaya
In a spooky small town, when a slew of pizza delivery boys are slain on the job, two daring survivors set out to catch the culprits behind the cryptic crime spree.
4.2
39
Slice 2018 Online | |
Moment | 195 minute |
Release | 2018-09-10 |
Quality | MPEG 1080p Blu-ray |
Categories | Comedy, Horror |
speech | English |
castname | Neeson H. Signac, Kallon V. Ahmar, Goulet K. Rayen |
Slice 2018 Altadefinizione01
Film kurz
Spent : $612,818,647
Revenue : $699,834,914
Categorie : These - Barmherzigkeit , Bösewicht - Chor , Cartoon - Tyranny , Hölle - Battlefield
Production Country : Malaysia
Production : Fontana TV
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